Watch the making of the new Duracell "Tornado" Commercial, shot with the F35!

Cinematographer and Local 600 President Steven Poster, ASC discusses his use of modified Canon 7D cameras on his latest film, Flypaper.

When a blockbuster franchise film with superstar talent decides to shoot its next feature in 3D, managing the data becomes one of the most important aspects of production.

Recently City 3D in Mexico City began researching stereoscopic production in order to create in-house, end-to-end operation. Read how they did it.

Complete Camera Data Management for Demanding 80-Day Shoot

Amsterdam: August 24, 2010… The MARVIN camera data management system is currently proving itself on a demanding shooting schedule for the high-profile Dutch mini-series Lijn 32 (Route 32).

The New York based professional company, TCS (Technological Cinevideo Services), recently took delivery of the new Sony F35 camera.

“I can’t thank Band Pro enough for bringing our camera package together at the last minute, during their busiest time of the year.”
Carey Weatherford, Director of Photography

Cinematographer Jeremy Benning credits the detail and clarity of the Zeiss DigiPrime and DigiZoom lenses with helping him win the 2009 Canadian Society of Cinematographers Award for Best Docu-drama photography for The Great Sperm Race (Channel 4/Discovery Canada) and to capture the dramatic journey back into the world of the “Manson Family Murders” (History Channel).

When New York-based Lost Highway Films realized that 25 percent of their commercial client base was moving toward the digital world, producer Marc Rosenberg and his partners immediately contacted Eric Schietinger at TCS for advice.